Category: Video

  • Video: ZenKimchi Featured on SBS

    Here’s the segment we were on this week on SBS. The show is called “Sarang Haeyo Korea” (“I Love You, Korea”), and it’s hosted by crooner Lee Moon-sae 이문세. There are some cameos by Michael Hurt, Michael Spavor, Joshua Hall and my old high school friend Maggie, as well as the dynamic Eun Jeong with portable fetus Alkongi hangin’ around. The places where they showed us were a tea house in Insa-dong next to the Insa-dong Chatjip, Chin Chin 친친 makkoli pub (Hongdae), Uri Boriso Maul 우리 보리소 마을 (Anyang), and Sanchae Go-eul 산채 고을 한정식 (Anyang).

    The scene at the Home Plus, where I was buying the shoes, was a little guerrilla. The big box supermarkets don’t like cameras, so we slipped by the greeters and quickly shot the scene. The Korean camera guy was going to play the foreigner card if we got caught.

    The music at the end is, in fact, something I wrote. We had technical issues hooking it up to the speakers, so he recorded it by putting the microphone on the headphones.

    We ended up throwing out the budae jjigae  I cooked because it got burnt and a little too salty because I was answering interview questions while it was boiling away. But other than a grilled cheese sandwich for Michael Hurt, it was the first time I ever cooked on video.

    Anyway, I thought it would be amusing to share some of the trivial background details. I hope you enjoy it.

    (I seriously need to lose some weight.)

  • Interview: Smoked Olive Oil

    Interview: Smoked Olive Oil

    Walk down any grocery store aisle in the United States and you will find a bounty of olive oils flavored with garlic, orange, lemon, chili pepper and rosemary. You may have one or two spending shelf time your pantry shelf right now. But you probably don’t have smoked olive oil hanging out there — yet.

    Smoked olive oil is the newest flavored oil to hit the market. It’s produced by a Santa Rosa, Calif.-based company called The Smoked Olive. The oil was featured on an episode of chef Emeril Lagasse’s Discovery Channel show Emeril Green. The oil has also received rave reviews from Sonoma County chef John Ash as well as Food Network chef and San Francisco Bay area resident Tyler Florence, who called it, “the sexiest new flavor I’ve tasted in years.”

    It’s easy to understand why no one has tried to make it before. Olive oils are very sensitive to heat, light and oxidation. Al Hartman, the chef behind The Smoked Olive, developed a patent-pending technology to smoke the olive oil without damaging it. The last thing a chef wants to do is ruin a batch of top-shelf California extra virgin olive oil.

    The Smoked Olive currently sells three different varieties of smoked olive oils, described this way on the company website:

    1. Sonoma Olive Oil, which starts off bold and smoky and finishes with a subtle olive finish
    2. Napa Olive Oil, which has a light smoke flavor that makes the olive oil flavor even more pronounced
    3. Santa Fe Olive Oil, which includes a dose of chili with the smoke. The chili sneaks upon you gradually but the chili does not overwhelm or overtake the olive and smoke flavor.

    If you are interested in trying some Smoked Olive Oil for yourself, they do ship in North America and internationally (including South Korea) as well.

    We discovered the company at the St. Helena’s Farmers Market in St. Helena, Calif. while we were preparing some B-roll — background images — for our follow-up video interview with chef Hector Marroquin of Pupusa Griddle Catering as he served up his kimchi pupusa plates.

    Production-wise, this was our first outdoor video session. The first on-location episode was “Innovations With Kimchi,” recorded in The Green Grocer, which is now closed.

    Recording outdoors presents all sorts of problems not faced indoors. Wind can rumble in microphones and tousle hair. Differences in lighting between a person in the shade and a sunny background can mess up camera light settings, leaving the person too dark on camera. Sunlight can also make potentially unsightly lens flares without a substantial lens hood. Ambient noise can be loud and distracting, sometimes imperceptibly so until the recording is reviewed in a quiet location.

    We controlled the wind noise with a basic foam windscreen for the handheld microphone, and the windscreen also lessens — but doesn’t prevent — popping in the microphones from spoken T’s and P’s. For really windy conditions, we have a special “hairy” foam windscreen for the lapel microphone.

    For lighting, it’s best to use a very bright camera light or a reflector to counteract harsh facial shadows from direct sunlight. The best solution is to diffuse the sunlight falling on the on-camera subject then reflect light back on the subject to fill in shadows. However, that requires several people.

    We have just me on camera and Jeff behind the camera. To hold the reflector, he had to set frame the shot on the camera, start recording and then hold the reflector. The shot composition couldn’t be adjusted until the end of the segment. The head-to-waist composition of this video did work for most of the shots, because the booth could be seen as actively attracting customers.

    The reflector we use is a Lastolite collapsible one, with silver on one side and alternating stripes of silver and gold on the other. The manufacturer said that pure gold would make the image too yellow, and the wisdom of that design was evident on this video. Probably, we should have used the silver side to provide whiter light to blend with the rest of the image.

    The background music came from Jamendo again. This time we used a song called Coming Home by Kendra Springer.  At the time I discovered this song, Springer’s album, Hope, was number one listened to album that week with over 18,000 downloads since it was posted on November 19, 2009.

  • Second interview with Pupusa Griddle: Chef Hector’s kimchi 2.0

    Second interview with Pupusa Griddle: Chef Hector’s kimchi 2.0


    This is the second interview-style video we filmed outdoors. The first one — about The Smoked Olive — was recorded earlier the same May 2010 day at the same farmer’s market. (We’ll be posting that interview in the near future.)

    The Smoked Olive interview grew out of scouting the market for background video. We were visiting St. Helena Farmer’s Market because Pupusa Griddle Catering and Napa Valley Chef Catering’s Hector Marroquin was introducing a new formulation for kimchi to go with Central American and Caribbean favorites. (If you want to check out my original interview with Chef Marroquin, it’s posted on YouTube as well.)

    Normally, we record our videos indoors, where we have much more control over the environment. Recording video outdoors is a challenge, since we do not have a crew to help us. It was just my husband controlling the camera and lighting. Unlike the foggy, shaded conditions for The Smoked Olive interview, this one was in direct sunlight, which casts dark shadows on faces. I was in front of the camera interviewing chef Hector.

    To control harsh shadows in direct sunlight the videographer needs to have a very bright light, which is expensive and cumbersome for an unobtrusive video rig, or a reflector to bounce sunlight to light the harsh shadows on faces.

    If we had another person we could also use a diffuser, a partially transparent cloth that eliminates the harsh shadows on subjects while still allowing the Sun to light the scene. However, unless the shot is tightly cropped to the head and shoulders of the subject or subjects, it can be difficult to keep such a diffuser out of view in the recording.

    So we used a collapsible Lastolite handheld reflector. It has silver and gold-and-silver sides. Silver or white reflectors are best for shade or overcast days to keep the color tones toward the bluish side of the visible spectrum for correction en masse in postproduction. However, in direct sunlight, the warm golden reflector side worked well on chef Hector and me.

    Yet, highly reflective materials such as metallic fabric on these reflectors has to be used with caution to prevent blinding or excessive squinting. Jeff has found success in standing 15 to 20 feet away at a 45-degree angle between the reflector and the camera. That allows good profile lighting without reflecting bright light directly into the eyes of the subject.

    All that work for a two and a half minute video.

    If you would like to buy a hoodie similar to the one I’m wearing in this video, you can purchase it from the civil rights group Liberty in North Korea. It appears they have run out of black hoodies but they are currently selling a grey version of the same hoodie.

    Finding appropriate music for our videos has been a struggle in the past but Jamendo has made that process much easier. This time, we found a song is called “Platanote” by Tunacka from their album Ensarada. Tunacka are from Venenzuela and you can find other songs by this artist on Jamendo as well. It has become our place to find creative commons, royalty free music.

  • Fatman Seoul at TEDxSeoul

    JenniferFlinn1

    Fatman Seoul’s Jennifer Flinn did a quick presentation for TEDxSeoul in late March on the culture of Korean food bloggers in Korean society. The videos are just starting to pop up on the web, and it looks like there’s some team translation going on. If you feel like participating please help out here.

  • Kimchi Warrior Fights Malaria

    Kimchi Warrior Fights Malaria

    kimchiwarrior1

    If you can ignore the pseudo-science this episode of Kimchi Warrior is pretty fun. You gotta love the names for the characters–Gochu Girl, Jeotgal.

    http://www.youtube.com/watch?v=FMxEVonLF-M

  • Video: Dr. Chef

    Video: Dr. Chef

    drchef1

    Normally I think the emphasis on promoting Korean food’s health over flavor is not effective. That doesn’t mean don’t emphasize the healthiness. A new internet video series, “Dr. Chef,” does this pretty well.

  • A Day at the Filipino Market

    4428460526 a36738a44341

    Thanks to the comment section, I’ve found International Underground, a web site and group that helps give voices in Korea that are usually kept silent. They’re really featuring the Filipino community, particularly the market. There’s a video by Anna Waigand called “A Day at the Market.” It’s a montage of photographs and real sounds of the markets with text explanations of the pictures and the importance of the market.

    Give it a look. It’ll make you a little hungry (well, maybe the balut won’t, but the rest will).

  • How to Make Heart-shaped Eggs

    How to Make Heart-shaped Eggs

    Aeri’s Kitchen has a video on how to make heart-shaped Gyeran Mari 계란마리. This was so cute and clever I had to post it. Now, if only I could find a heart-shaped box for it.

  • Aspartame in Kimchi?

    Aspartame in Kimchi?

    Cute little video from Cool Hunting of a Korean great-grandmother making kimchi. I did get a little worried when packets of Equal were being dumped in there.

  • Street vendor harassment in California

    Street vendor harassment in California

    Posted by Tammy

    From the video: “Taco trucks pull up to curbs and offer LA eaters everything from tofu bowls to Korean barbeque. Customers flock to them, and recently so have police officers. Truck owners report being cited for everything from parking too close to curbs to parking too far away. Sometimes officers shut them down. Why would law enforcement target taco trucks for nuisance violations? Turns out nearby restaurants don’t like the competition.”

    This clash between the police, brick-and-mortar restaurants and the truck food scene is not unique to Los Angeles. The business climate is worse in San Francisco. Initial setup costs for a truck food vendor in San Francisco can be as much as $150,000, according to the organizers of San Francisco Street Food Festival. Food and business permit costs an additional $10,000 per year. With those high-start up costs, one marvels at how most of these trucks can keep their costs down to less than $8 per dish.

    One Korean fusion taco truck vendor called Seoul on Wheels wasn’t able to overcome San Francisco’s regulation structure. Julia Yoon now does most of her business on the east side of the San Francisco Bay. She started operating in and around Emeryville, Calif., by offering her Korean fusion flavor to Pixar Animation employees.

    Some enterprising rolling restaurants have developed coping strategies by setting up weekly or monthly street food fairs. One in San Francisco last summer was very successful, based on the list of corporate sponsors including the Beringer wine brand and Whole Foods Market. Another sponsor was Foodbuzz, a San Francisco-based food blog community — of which both ZenKimchi and Beyond Koreanfornian Cooking have been “featured publishers.”

    Police shut down a similar attempt at a weekly street fair in Los Angeles last year. Yet it has come back to life and is being organized as a yearly event. Imagine your favorite tteokbokki (떡볶이) or boong-o-bbang (붕어빵) stand in Seoul only being open once a year. These annual street fairs are better than nothing.

    Now you have an idea of the uphill battle American urban food truck owners — Korean and non-Korean — face all the time just to stay in business.